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Mein Kampf

A auto-biography of Adolf Hitler


We all know who Adolf Hitler is! But for someone who doesn’t, Adolf Hitler, byname Der Führer (German: “The Leader”), leader of the Nazi Party and their involvement in war world II.


Mein Kampf, (German: “My Struggle”) political manifesto written by Adolf Hitler. It was his only complete book, and the work became the bible of National Socialism (Nazism) in Germany’s Third Reich. It was published in two volumes in 1925 and 1927, and an abridged edition appeared in 1930.


The first volume, entitled Die Abrechnung (“The Settlement [of Accounts],” or “Revenge”), was written in 1924 in the Bavarian fortress of Landsberg am Lech, where Hitler was imprisoned after the abortive Beer Hall Putsch of 1923. It treats the world of Hitler’s youth, the First World War, and the “betrayal” of Germany’s collapse in 1918; it also expresses Hitler’s racist ideology, identifying the Aryan as the “genius” race and the Jew as the “parasite,” and declares the need for Germans to seek living space (Lebensraum) in the East at the expense of the Slavs and the hated Marxists of Russia. It also calls for revenge against France.


According to Hitler, it was “the sacred mission of the German people…to assemble and preserve the most valuable racial elements…and raise them to the dominant position.” “All who are not of a good race are chaff,” wrote Hitler. It was necessary for Germans to “occupy themselves not merely with the breeding of dogs, horses, and cats but also with care for the purity of their own blood.” Hitler ascribed international significance to the elimination of Jews, which “must necessarily be a bloody process,” he wrote.


The second volume, entitled Die Nationalsozialistische Bewegung (“The National Socialist Movement”), written after Hitler’s release from prison in December 1924, outlines the political program, including the terrorist methods, that National Socialism must pursue both in gaining power and in exercising it thereafter in the new Germany.


The striking thing about the text as a text is that it is not so much diabolical or sinister as creepy. It is the last book in the world that you would expect a nascent Fascist dictator to write.


Most of us—and most politicians in particular, even those who belong to extremist movements—try to draw a reasonably charismatic picture of our histories and ourselves. We want to look appealing. An evil force may emerge and temporarily defeat the narrator, but that force is usually placed against a childhood of a purer folk existence, now defiled. That’s the way most politicians’ campaign memoirs still work, for instance.


Hitler, whom we suspect of being an embittered, envious, traumatized loser, presents himself as . . . an embittered, envious, traumatized loser. The weirdness of this is especially evident in the earlier autobiographical chapters. His resentments are ever-present. His father was dense, mean, unforgiving, and opaque. (“My father forbade me to nourish the slightest hope of ever being allowed to study art. I went one step further and declared that if that was the case I would stop studying altogether.


As a result of such ‘pronouncements,’ of course, I drew the short end; the old man began the relentless enforcement of his authority.”) His schoolmates were combative, his schoolmasters unappreciative. The petty rancor and unassuaged disappointments of a resentment-filled life burn on every page, in ways one would think might be more demoralizing than inspiring to potential followers.


Mussolini’s autobiography, to take the obvious comparison, though ghostwritten—by a former American Ambassador to Italy, apparently!—nonetheless reflects his sense of the best self to put forward; the youthful memories are more predictably of a concord between the young Italian and the national landscape he inhabits.

(The Masons play the same role for Mussolini that the Jews did for Hitler: the cosmopolitan force interrupting the natural harmony between the people and their home, the blood and the birthplace.) Mussolini’s is a Fascist dictator’s memoir written as you would expect a Fascist dictator to write it. To be sure, Hitler is writing at the bottom of the ascent and Mussolini at the top, but the temperamental difference is arresting nonetheless.

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